Somesville by Jill London 02/25/26 this étagère elegantly plays with

this étagère elegantly plays with negative space and verticality to elevate any modern interior

fluid drapery of the gown and the pristine formality of white gloves against a jagged

The structural backbone of the piece relies on a meticulous application of pattern heavily informed by Christopher Alexander’s "pattern language

and olive greens

Somesville by Jill London 02/25/26 this étagère elegantly plays with12 x 6 Water gilded panel painting with punchwork. The qualities of gold leaf and the light that is created are part of the dynamic of the reflections both internal and external on the picture plane. London only uses methods from our natural surroundings. Wood, water, chalk, rabbit skin glue, clay, gold leaf, egg tempera made with egg yolks and earth pigments are all derived from the natural environment. This mark making is part of an ongoing dialogue