NG6461: The Fake Rubens Christina Sharpe Opie has returned to the

Opie has returned to the genre of street photography

Anders Byriel

is set against the backdrop of a vast and abundant garden inhabited by some very helpful insect friends

Central to this assembly are works from the famed Rachofsky Collection by Judy Chicago

NG6461: The Fake Rubens Christina Sharpe Opie has returned to theIn July 1980 Londons National Gallery paid a record sum for a canvas that purported to be Peter Paul Rubenss Samson and Delilah (1609). But as the artist and art historian Euphrosyne Doxiadis has long maintained, the painting is not the work of Rubens at all, but rather a copy of his original. Notwithstanding the formidable body of historical and stylistic evidence that supports Doxiadiss assessment, the National Gallery has not only continued to